{"id":18584,"date":"2019-03-17T10:32:59","date_gmt":"2019-03-17T08:32:59","guid":{"rendered":"http:\/\/www.mennomail.nl\/?p=18584"},"modified":"2019-03-17T10:32:59","modified_gmt":"2019-03-17T08:32:59","slug":"goed-en-slecht-editwerk","status":"publish","type":"post","link":"https:\/\/www.voordefilm.nl\/mennomail\/2019\/03\/17\/goed-en-slecht-editwerk\/","title":{"rendered":"Goed en slecht editwerk"},"content":{"rendered":"\n<p>Zag dit weekend twee video&#8217;s over editing die te interessant zijn om niet te delen. <\/p>\n\n\n\n<p>Beiden gaan over Oscar-winnende editors, maar de \u00e9\u00e9n is extreem goed terwijl de andere enkel vragen oproept. Tom Cross won &#8216;m in 2014 zeer terecht voor Whiplash en John Ottman in 2019 voor Bohemian Rhapsody.<\/p>\n\n\n\n<p>De video&#8217;s laten uitgebreid zien waarom het editwerk in Whiplash zo goed werkt en waarom in de Queen biopic niet. Het is een puinhoop en ongetwijfeld het resultaat van de switchende regisseurs en het feit dat de Queen bandleden evenveel schermtijd opeisten. Maar het is een raadsel waarom deze film een edit-Oscar kreeg. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Whiplash&#039;s Brilliant Editing - A Breakdown\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/3qYB1qLx4R8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Bohemian Rhapsody&#039;s Terrible Editing - A Breakdown\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/4dn8Fd0TYek?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Zag dit weekend twee video&#8217;s over editing die te interessant zijn om niet te delen. Beiden gaan&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"footnotes":""},"categories":[38],"tags":[204,502,693],"class_list":["post-18584","post","type-post","status-publish","format-standard","hentry","category-video","tag-editing","tag-queen","tag-whiplas","wpcat-38-id"],"_links":{"self":[{"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/posts\/18584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/comments?post=18584"}],"version-history":[{"count":0,"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/posts\/18584\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/media?parent=18584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/categories?post=18584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.voordefilm.nl\/mennomail\/wp-json\/wp\/v2\/tags?post=18584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}